Jess Kelly unpacks the “terrifying” comparison to his uncle after fans show support.

The Voice Australia’s Blind Auditions have kept fans on their toes this year, with the 2026 season not only including a secret fifth judge twist – where Australian music icon Tones and I waits off stage to take in and train unsuccessful contestants – but also stand-out performances from 12-year-old singers and hip-hop artists.
Even contestants from Aussie music royalty have taken the stage to try their luck at turning some chairs.
However, it was this famous family connection that divided fans, and reignited a common gripe many viewers have been having this year.
Jess Kelly, the 38-year-old nephew of legendary John Farnham, took to The Voice stage to perform ‘When the War Is Over’ by Cold Chisel. However, the brave performer didn’t manage to turn a single chair, despite the judges admitting that he sounded like his uncle as soon as he started singing.
Speaking to WHO after receiving a wave of support from fans and audiences across Australia, Jess unpacked how the moment felt, and the “equally terrifying” and “massive compliment” of being compared to his uncle.
John Farnham’s nephew Jess Kelly auditions for The Voice Australia

Jess Kelly’s performance reignited the gripe fans have had with the show
After Jess didn’t receive a single chair turn, walking off stage without a simple “well done” or “hello”, fans were reminded of what they haven’t liked about this year’s format change – the coldness.
“I think it’s very rude of the judges to not turn at all for wanting to coach a contestant,” one fan wrote online. “They used to always turn at the end of the song. The contestant is now just standing there. They could at least offer a ‘hello’ or a ‘thank you for coming’.”
Some fans believe Kelly deserved a second chance, while others slammed the show for using his last name to earn ratings for the show, claiming the “network heavily promoted Jess’s incredible voice and his legendary family connection to lure Australians into tuning in”.
However, more recently, viewers are slamming the show for not being “transparent” and calling the ‘blind’ aspect of the show “hardly genuine”.
“Everyone needs to keep in mind that there’s a lot that goes on with these kind of shows that isn’t exactly transparent for the audience,” one fan commented on social media. “Producers are heavily involved in the selection process and I’ve heard that the judges are told who they can and can’t turn for.”
“Plus, as someone who has auditioned for these kind of shows, there’s about three steps of the audition process before the blind auditions that isn’t televised. So it’s not really ‘blind’.”
The fan added: “I understand the frustration because it annoys me too that it’s all so contrived and hardly genuine.”

Jess is just grateful for the support
Despite fans’ concerns about the show’s integrity, Jess reassured WHO that while not receiving a single chair turn was a “terrifying feeling”, it wasn’t as bad as fans believe.
“Singing to the backs of those iconic red chairs was definitely a terrifying feeling!” Jess said. “Of course, there was a moment of disappointment when they didn’t turn, but honestly, there was also a lovely sense of relief just to have the pressure off.
“I’m just proud that I had the courage to stand up there and do it.”
After receiving support from fans and viewers watching at home, Jess revealed that it gave his confidence a “massive boost”.
“I definitely have my moments of imposter syndrome, but hearing such kind words from the public has really inspired me to keep going, keep saying ‘yes’ to new opportunities that come my way, and see what is next for my music,” he said.
The ‘heavy weight’ of the Farnham family name
Jess didn’t perform a John Farnham song, and yet his voice still gave him away, with Kate Miller-Heidke asking, “Is that John Farnham?” as soon as he started singing.
In the lead-up to his televised performance, his relation to the Aussie legend was used to promote the episode, with Jess admitting that the comparison was a little “terrifying”.
“Stepping out there definitely came with a heavy weight,” he said. “I knew I was putting my heart on the line and opening myself up to comparison.
“In my eyes, John is the absolute best performer the world has ever seen. Having my voice compared to his is equally terrifying and a massive compliment.”
Freja Newman is a Digital Content Producer for WHO Magazine, writing entertainment and lifestyle content while also contributing to the publication’s social media. She loves diving deep into iconic popular culture moments, as well as all the latest trends across fashion and wellness. With a degree in Media and Communications and International Relations from the University of Sydney, Freja has written and produced content for publications like Edinburgh Fringe Review and non-for-profits like UNICEF Australia. She is obsessed with storytelling in any and every form and is constantly online, earmarking the latest celebrity news, fashion trends, and film, TV and theatre releases. When it comes to social media, mini Freja’s iMovie and Video Star phase prepared her well, as she’s unafraid to get behind the camera and find new and exciting ways to make digital stories a success.
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